The natural colours of Ireland are woven into the beautiful Donegal tweed textiles that Molloy and Sons create…
Molloy & Sons | Donegal Weaving from Jamie Delaney on Vimeo.
…thanks RhubarbInTheGarden…
The natural colours of Ireland are woven into the beautiful Donegal tweed textiles that Molloy and Sons create…
Molloy & Sons | Donegal Weaving from Jamie Delaney on Vimeo.
…thanks RhubarbInTheGarden…
Heather Moore, a.k.a. Skinny laMinx, is an artist, textile designer, and business woman in Cape Town, South Africa. She makes such beautiful things…
…check out her Etsy shop here…
Neisha Crosland is one of the U.K.’s foremost textile designers, who now creates tiles, stationery, china, rugs, wallpaper, as well as her sophisticated, elegant fabric…




…read an article on her in The Guardian and hear a terrific RDI interview with her and Mike Dempsey here…
The ethos behind Finland’s Marimekko textile company was to bring colour, cheer and hope to a war-weary Finland, through the efforts of Armi Ratia in 1951. She brought together so many fine, young designers, creating a ground-breaking design firm (run mainly by women) which continues to this day, putting Finland on the map for textiles, ceramics and fashion. Designer Maija Isola‘s Unikko fabric, below, has been a staple pattern since 1964…


Kanteleen Kutsu by Sanna Annukka…
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…read a fun post about Marimekko at the EyeLikey blog and an article in The Guardian…
Skinny LaMinx, a.k.a. Heather Moore, the South African illustrator/textile designer extraordinaire, has made some beautiful designs…

One of the most influential and innovative fashion icons of the early 20th century, Paul Poiret (1879-1944, later a forgotten figure by Le Beau Monde, dying penniless), led the industry in the design and manufacturing of every detail of what he produced. Here are just a few examples of his textiles, made in his studio, Atelier Martine, between 1918 and 1925…

From The Metropolitan Museum…
‘Martine, which opened on April 1, 1911, was the interior design business owned and operated by Paul Poiret, a noted Parisian couturier. The business consisted of École Martine, Atelier Martine, and La Maison Martine. École Martine (housed in Poiret’s premises in rue d’Antin) was an experimental art school for young, working-class girls. Under the direction of design educator Marguerite Gabriel-Claude Sérusier, these untrained girls sketched plants and animals in local parks and zoos. Poiret bought the best of their drawings, which were adapted for use by Atelier Martine, the design studio. At first, Atelier Martine produced only textiles and wallpapers, but soon expanded, to create carpets, lighting, hand-painted glassware and ceramics, and other items for interiors (including dolls outfitted by Poiret). Furniture and interior decorating services were introduced under the direction of Guy-Pierre Fauconnet. Little is known about the manufacturers of their products, but it is unlikely that the atelier was able to realize most of their designs in-house, turning instead to outside specialists: Paul Dumas or Defossé & Karth for wallpapers, Adolphe Chanaux for furniture, and Murano for glassware. One notable exception was the deep pile carpets, hand-knotted by the students. The output of the atelier was sold through the retail and interior design service of the business, La Maison Martine. The shop was located at 107, rue du Faubourg Saint Honoré; it remained there until 1924, when it moved to 1, Rond-Point des Champs-Élysées. By the early 1920s, branches had been opened in Marseilles, Cannes, Biarritz, Deauville, La Baule, as well in London and Vienna. Martine products were actively promoted and sold in department stores in America and Germany.’

and a beautiful textile from Paul Iribe, an artist who worked closely with Poiret…
..thanks MetropolitanMuseumOfArt and Japonisme…
Pacific Northwest glass artist Dale Chihuly and his beautiful work, taking inspiration from Native American textiles and basketware…
…from an exhibition at the Tacoma Art Museum…thanks Jim Culp on Flickr for the wonderful photos…
A wonderful sweet box of a book by Marnie Fogg and Anova Books, 50′s Fashion Print. The 50′s were a fascinating design era, with the world emerging from its war-weary, rationed, gray decade; ready to embrace colour, volume, vibrancy and whimsy in every aspect of design, giving textile designers enormous scope to play with this new sense of freedom and optimism…



…check out more pages at ‘H’IsForHome and look out for her 60′s Fashion Print edition, too…
