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I unearthed a few pages of an old Spanish book about the moon at the weekly Rastro, Valencias gigantic flea market, and made it the starting point for this collage. The typography within the book itself was unique and beautiful, so it was added to the mix. And Ive echoed the lunar subject matter with cut out shapes. Theres a scrap of an old telegram in there too, perhaps subtly illustrating the distance not just to the moon, but between each other, and between time then and now.
ORIGINAL ART WORK
These are handmade, living pieces, many with overhanging elements from the collage assembly and the pieces are mounted in a slightly raised fashion (so as to appear floating) above a white, acid-free matte. We use Museum Glass, specially coated to make the viewing of the art completely glare and reflection-free (it looks like there is no glass; all you see is the artwork), as well as being 92% UV filtering (a very important feature, due to the use of fragile, paper ephemera).
PRINTS
Similarly, the prints are designed to include a digital bright white surround “matte” to allow the piece to "float". They are Giclee printed on thick archival, acid-free 189GSM paper. A digital signature by Shelley is included.
Although the originals vary in size, we try to find the closest print size to represent the original work, and the matte increases that size by approximately 1" on each side.
Paper thickness: 10.3 mil (0.26 mm)
Paper weight: 5.57 oz/yd² (189 g/m²)
Giclée printing quality
Opacity: 94%
ISO brightness: 104%
FRAMED PRINTS
Are ONLY available in the United States at present. We are working on alternative solutions for the rest of the world.
The white frame is made from .75 in (1.9 cm) Ayous wood harvested from renewable forests, and includes an Acrylite front protector with Hanging hardware included.